The Medium and the Message

The Medium and the Messageand without it - to web content, reference works,
etc.,embedded instant shopping and ordering links,
Author of "Malignant Self Love - Narcissismdivergent, user- interactive, decision driven
Revisited"plotlines, interaction with other e- books (using
A debate is raging in e-publishing circles: shouldBluetooth or another wireless standard),
content beencrypted and protected (the erstwhilecollaborativeauthoring, gaming and community
Barnes and Noble or Digitalgoods model) - oractivities, automatically orperiodically updated
should it be distributed freely and thus serve asacontent, ,multimedia capabilities, database,
form of viral marketing (Seth Godin's "ideavirus")?Favourites and History Maintenance (records of
Publishersfear that freely distributed and cost-freereading habits,shopping habits, interaction with
"cracked" e-books willcannibalize print books toother readers, plot relateddecisions and much
oblivion.more), automatic and embedded audio
The more paranoid point at the music industry. Itconversionand translation capabilities, full wireless
failed to co-optthe emerging peer-to-peerpiconetworking andscatternetworking capabilities
platforms (Napster) and to offer a viabledigitaland more.
assets management system with an equitableThe same textual content will be available in the
sharing ofroyalties. The results? A protracted legalfuture in variousmedia. Ostensibly, consumers
battle and piracy runamok. "Publishers" - goes thisshould gravitate to the feature-richand much
creed - "are positioned toincorporate encryptioncheaper e-book. But they won't - because the
and protection measures at the very inceptionofmedium is asimportant as the text message. It is
the digital publishing industry. They ought to learnnot enough to own the samecontent, or to gain
the lesson."access to the same message. Ownership of
But this view ignores a vital difference betweentheright medium does count. Print books offer
sound and text. Inmusic, what matter are theconnectivity within anhistorical context (tradition).
song or the musical piece. The medium (orcarrier,E-books are cold and impersonal,alienated and
or packing) is marginal and interchangeable. A CD,detached. The printed word offers permanence.
an audiocassette, or an MP3 player are all fine, asDigitaltext is ephemeral (as anyone whose writings
far as the consumer isconcerned. The listenerperished in the bloodbath or Deja takeover by
bases his or her purchasing decisions onsoundGoogle can attest). Printedvolumes are a whole
quality and the faithfulness of reproduction of thesensorium, a sensual experience - olfactory
listeningexperience (for instance, in a concert hall).andtactile and visual. E-books are one dimensional
This is a very narrow,rational, measurable andin comparison. Theseare differences that cannot
quantifiable criterion.be overcome, not even with the advent ofdigital
Not so with text."ink" on digital "paper". They will keep the print
Content is only one element of many of equalbookalive and publishers' revenues flowing.
footing underlying thedecision to purchase aPeople buy printed matter not merely because of
specific text-"carrier" (medium). Variousmediaits content. If thiswere true e-books will have won
encapsulating IDENTICAL text will still farethe day. Print books are a packagedexperience,
differently.the substance of life. People buy the medium as
Hence the failure of CD-ROMs and e-learning.oftenand as much as they buy the message it
People tend to consumecontent in other formatsencapsulates. It isimpossible to compete with this
or media, even if it is fully available tothem ormistique. Safe in this knowledge,publishers should
even owned by them in one specific medium.let go and impose on e-books "encryption"and
People prefer topay to listen to live lectures"protection" levels as rigorous as they do on the
rather than read freely availableonline transcripts.their printbooks. The latter are here to stay
Libraries buy print journals even when theyalongside the former. With theproper pricing and a
havesubscribed to the full text online versions ofmodicum of trust, e-books may even end
the very samepublications. And consumersuppromoting the old and trusted print versions.
overwhelmingly prefer to purchase booksin print==========================
rather than their e-versions.AUTHOR BIO (must be included with the article)
This is partly a question of the slow demise of oldSam Vaknin ( ) is the author of Malignant
habits. E-bookshave yet to develop theSelf Love - Narcissism Revisited and After the
user-friendliness, platform-independence,portability,Rain - How the West
brows ability and many other attributes ofLost the East. He served as a columnist for
thisingenious medium, the Gutenberg tome. But itCentral Europe Review,
also has to do withmarketing psychology. WherePopMatters, Bellaonline, and eBookWeb, a United
text (or text equivalents, such asspeech) isPress International
concerned, the medium is at least as important as(UPI) Senior Business Correspondent, and the
themessage. And this will hold true even wheneditor of mental healthand Central East Europe
e-books catch up withtheir print brethrencategories in The Open Directory and
technologically.Suite101.
There is no doubting that finally e-books willUntil recently, he served as the Economic Advisor
surpass print booksas a medium and offerto the Governmentof Macedonia.
numerous options: hyperlinks within the e- book